Week 11

Mar. 29th, 2012 07:29 pm
Part I
Icarus “isn’t sorry” that he flew into the sun. Flying into the sun melted his wings, and caused him to fall into the sea where he drowned. According to this poem though, he didn’t regret flying into the sun. He enjoyed the free fall that followed the burning of his wings, and could only think of what he would do next time.

Part II
Dystopia refers to something in a very controlled and repressed state. Dystopia as literature would be very controlled literature, keeping ideas repressed. The heroes are very rarely outsiders, like is common in much literature. Dystopian fiction also usually reflects a moral that is important in a Dystopian society in which the literature is written.

Week 10 II

Mar. 20th, 2012 07:48 pm
Icarus is the son of Daedalus. His father makes him wings of feathers and wax so he can escape Crete, but he is warned not to fly to close to the sun. He does anyways, and the wax melts and he loses his wings. He falls into the Mediterranean and drowns. Musee de Beaux Arts is a poem about Breughel's painting, "The Fall of Icarus". It is about how miraculous things happen all around us, but how we just turn are heads away, or ignore it. Icarus falls out of the sky, like an angel, but in the painting now one is paying attention. There is a plough man looking the other way, and ship sailing calmly on.

Week 10

Mar. 20th, 2012 07:47 pm
This poem “Persephone Falling” by Rita Dove is about when Persephone first gets taken down to Hades’ Underworld to be his wife. This story is used as a warning for children to stay away from molesters and other dangers, and to stay in groups. It is said that Dove wrote this for her daughter.
Persephone is lured by a beautiful flower, “one narcissus among the ordinary”(1), and Hades takes this moment to take her away and “[claim] his due”(6). This represents a child being lured by promises of a stranger, such as candy or other nice things, and then they are at the mercy of this stranger, just as Persephone was at Hades’.
Dove presents her point first through the story of Persephone, but then goes on to explain it in a modern way.
“Remember: go straight to school. This is important, stop fooling around! Don't answer to strangers. Stick with your playmates. Keep your eyes down”(9-12).
This means literally what it states. That if you stick with your friends and don’t talk to strangers, the age old safety cliché of our childhood, then you will be safe.

Like Dove, Bolan is also using the story of Persephone to tell us something about her daughter. She is using it to explain her daughters fleeing childhood, and how she is becoming a woman. She is herself is Ceres, and is “ready to make any bargain to keep [her daughter]”(16) because her daughter is growing up and leaving home. Just like Ceres mourned when her daughter Persephone was taken away from her to the underworld to be Hades wife. The mother wonders if she should “warn her”, but decides against it, because just as Ceres had to allow Persephone to make her own choice and eat the pomegranate in the underworld, the mother in this poem must let her daughter make the decision to taste danger and make her own decisions, as that is a part of growing up.

Both these poets use the story of Persephone to illustrate a meaning about life, and about their daughters. They do it effectively with great word choice, well chosen breaks and both use free verse. They are both excellent poems, and convey their messages very clearly.

Week 8

Mar. 4th, 2012 09:47 pm
Part I
In the poem "The Cinnamon Peeler" by Michael Ondaatje, Cinnamon is used as a symbol for sexual desire and love.

"If I were a cinnamon peeler
I would ride your bed"(1-2)

The poem opens up with this erotic symbol. Though to ride alone is not in itself erotic, combined with the word bed it becomes very sexual.

The narrator goes on deeper into this metaphor,
"Your breasts and shoulders would reek
You could never walk through markets
without the profession of my fingers
floating over you. The blind would
stumble certain of whom they approached
though you might bathe under rain gutters, monsoon."(5-11)

He reveals his sexual desire for the woman by talking of the areas of her body where his fingers would touch (which is made obvious, because in the profession of a cinnamon peeler, the "profession of his fingers" would cover them with the stench of cinnamon. The places he had touched, her breast and shoulders, hint at sexual desire and lust.

Not only is this symbol for only sexual desire and lust, but also for love, in this case within marriage.

"What good is it
to be the lime burner's daughter
left with no trace
as if not spoken to in the act of love
as if wonder without the pleasure of a scar...
...I am the cinnamon
peeler's wife. Smell me."(37-46)


His wife is glad for the mark of love that he has left on her, the proof that they love each other and are together. The smell of cinnamon is a metaphor for their love and the home and bed they share together.

Part II

Sylvia Plath's poem "Daddy" is about her father and her his similarities with her husband, and how they are both terrible men, in her eyes. She relates them to Nazi and Hitler and herself to a Jew. In her life she went through a very difficult marital separation before her suicide. This could mean that she very well thinks of her husband this way, and perhaps her father too. The poem does ring some truth about her father, because he was German, so it very well could all be true from her point of view. I believe that Sylvia Plath would disagree that poems are only "art and lies" because it seems that her poem holds a lot of truth and emotion from her life.

Week 7

Feb. 26th, 2012 10:16 pm
Part I

I believe Antigone and Creon both meet the criteria of a tragic hero. Antigone obviously feels very strongly about the burial about her brother, and very nobly goes forth to give him the proper burial rituals. This ends in a terrible death for her. She hangs herself in her own bridal veils, but she openly accepts death in the moment she choose to make this decision.
"And even if I die in th eact, that death will be a glory. I will lie with the one I love and loved by him"(486). I feel pity for her horrible end, and honor her for her brave actions.
Creon on the other hand is a less obvious tragic. He has the tragic flaw of hubris, and he allows this to get completely out of control in his life. This is what leads to the decree that ends Antigone's life, which in turn ends the lives of his son and his wife. His wife's dying actions were to blame all these deaths on him, and he accepts the blame.
"I murdered you, my son, against my will-you too, my wife... Wailing wreck of a man, whom to look to?"(520) He realizes the mistakes he's made and is tortured with pain. I feel pity for this poor man, who would probably have taken death as a better fate.

I feel more pity and horror towards Creon's pain then towards Antigone's because I feel more attached towards Creon. He seems like a horrible, stubborn man, but overtime it becomes clear that he only wants to do what he thinks is right and just in the moment, and that he mostly comes to these decisions out of fear. He has many flaws, but is the character we spend the most time with, and that I attached to the most.
I think this play could easily be called "Creon" because we follow his story and opinions more closely than Antigone's.

Part II

In Antigone the extended metaphor of the Greek Gods and Legends were used to represent what was happening within the story.

Week 6

Feb. 19th, 2012 01:07 pm
Part I

This term has exposed me to some very great literature, and I’m very glad about that. It also has taught me how to look closer into the literature and find out more. I had not learnt about binaries or intertextuality in the past, and I think those are very helpful things when it comes to deciding the theme and meaning of a piece of literature. I still would like to learn some deeper analysis skills, because though I can do it, I’m not very skilled or quick at it and it can generally end up frustrating me, rather than inspiring.

Part II

Hamartia: Missing the mark, sometimes out of ignorant or accidental wrongdoing.
Hubris: Being too proud, having too much of an ego
Catharsis: Cleansing or purging
Peripeteia: Turning point
Anagnorisis: When the character makes a critical discovery.

Week 4

Feb. 6th, 2012 09:04 am
Part I

The racism in the story doesn’t necessarily need the context of the Japanese internment to be understood, but to truly understand and emphasize with the grief of the family it is vital.

“The men who rioted against you were not the enemy. The Vancouver alderman who said ‘Keep BC White” was not the enemy”(7)
This quote clearly shows racism. We know without the context that the Uncle is Japanese, and so stating that there are riots and people trying to “Keep BC White” clearly shows the racism that existed at the time.

“In the framed family photograph…[t]hey all look in different directions, carved and rigid with their expressionless Japanese faces and their bodies paste over with Rule Britannia”(4)
This shows clear pain within the family. They are ashamed of who they are, due to the influx of racism in North America at this time. They look away from each other, afraid to face the pain and see it in each-other's faces, and they are expressionless to prevent the others in the family from seeing this in their own faces. They are wearing British clothing so as to assimilate into society, perhaps in an attempt to avoid the racism, or because they don’t have a choice.
In contrast to this sad photograph there is “the picture, not framed, not on display showing Uncle as a young man, smiling and proud in front of an exquisitely detailed craft…. not an ordinary yacht-a creation of many years and many winter evenings-a work of art.”(4) Here the Uncle has found something that brings him joy, something that his own father had done before he had crossed to North America and faced the racism of the country. Unfortunately this symbol of joy is taken away from them when the “voice of the RCMP officer [says] ‘I’ll keep that one,’ and laughing as he cuts through the water…the other boats are towed away and left to rot. Hundreds of Grandfather’s boats belonging to hundreds of fishermen.” The authorities in North America tear away these boats that bring them joy. Their property and rights are not considered, because they are Japanese, and during these times Japanese were the enemy and not treated kindly in North America.




Part II

I really admire the depth that some of the other students are able to see into the writing. I can get the general context, but I’m not very skilled in analyzing deeply, and I would really like to improve this skill. I’m hopeful that this course will help me with this at least to some degree, if not a large improvement.

Week 3

Feb. 5th, 2012 09:14 pm
Part I:
In Alistair MacLeod’s “The Boat” he uses intertexuality to support the idea of the symbol that the sea is death.
“His hands were shredded as were his feet which had lost their boots to the suction of the sea, like the grass on graves, upon the purple, bloated mass that was his face. There was not much left of my father, physically, as he lay there with the brass chains on his wrists and the seaweed on his hair.”
In this story the sea is what brings death to the father, and what is his living death through out his life. It is the thing that takes the light out of him, and he is truly alive when he is home and reading his books on his bed. This idea of the sea being death is supported throughout the story by making references to David Copperfield, Moby Dick and other works in which the sea has brought on death.

Part II:

Metafiction is when a work of fiction deliberately draws attention to the fact that it is fiction. Austin Powers: Goldmember uses this often in addresses to the audience for comedic effect, or in the scene where Fat Bastard points out the wires he is using for his stunt. It shocks the reader out of the drone of the movie either to make them laugh, or to surprise them.

Week 2

Jan. 22nd, 2012 05:17 pm
Part I:


It is very clear from the way the narrator describes the work places of her parents which place she prefers.
"It seemed to me that work in the house was endless, dreary, and peculiarly depressing; work done out of doors, and in my father's service, was ritualistically important.”
She clearly thinks her father’s work place is much more interesting, and she holds it in higher regard then her mothers work within the house. She describes the fence surrounding the foxes as “like medieval town”. She continues this simile throughout her description. A medieval town is something fanciful, adventurous and delightful to children, and this is how she sees her fathers work environment.
The narrator is very clear that she is much less fond of her mother’s work place, She states clearly that she “hated the hot dark kitchen” and that her mother was “plotting now to get [her] to stay in the house more, although [her mother] knew [she] hated it”.

The narrator’s bias towards the place where she and her brother sleep is very clear, though she uses little description to make this clear. She describes the upstairs room where they sleep as cold. She describes the stored objects that are left in this unfinished room, but she describes them with detachment: “a soldiery roll of linoleum, standing on end, a wicker baby carriage, a fern basket, china jugs and basins with cracks in them”. There are no words here that indicate her fear towards this room, but she simply states that her and her brother “were afraid of the inside, the room where [they] slept”. We can understand that the narrator doesn’t feel kindly towards this room, without any negative connotations in the description at all.

Part II
Eustacia Vye is a very flawed, and (for the times) a rather sinful woman. She dies running with away with a married man, from her disastrous marriage and life. They drown in a storm as they flee to Paris. She is a very surprising heroine for Hardy to choose, for most at his time were virtuous woman.
Moby Dick is the story of a captain, who lost his leg to a sperm whale, risking everything to have revenge on that same whale, Moby Dick.
Ham resided in Yarmouth where he built boats. He is often described as simple and kind hearted, and is often compared to David as David’s lesser, though David admires his gentle nature. Ham Peggoty dies trying to rescue people off a boat.
Part I
Though I think Larkin’s poem is very powerful and well put, I would not call it “great literature”. This is because the poem does is so straight forward and doesn’t have more meaning beneath it’s initial layer, at least not to me. It is very plain what the meaning of the poem is, and it is not something that I would read over and over again to try to unravel the secrets within.
It is very relative to everyone, especially with the way that it seems to directly address the reader with the use of “you”. I think the use of the harsh language and how it transitions to a softer tone is very effective and well used. These are things that make it “great” and it is of course “literature”. I really enjoyed this poem, and think it’s very clever; but it isn’t “great literature”.

The theme in this poem is very universal. Everyone has parents, and everyone has issues. This passing on of issues is shown as a generational transition in this poem. This idea isn’t unique to just this poem, but is often discussed within Psychology and other fields of study. Whether faults be genetic or created by environment, they are very often passed to children of the next generation, just as those children will grow up to pass these faults to their own offspring.

Part II
Both Larkin’s “This Be the Verse” and “Eveline” portray parenthood as a negative thing, but then shed more light on to this universal subject. In the beginning of Larkin’s poem he talks about how parents “fuck you up”. They pass their faults to you, and add faults of your own. “Eveline” also starts with this negative tone towards parenthood. She talks about her father and how he abuses her and how awful her life is living with him. However, as she goes on in this story she starts to shed more life on to her life, and realizes how she loves her father and how he needs her and she him. In the end she decides to stay and continue her life with him, resisting her chance to run away from that life. Larkin’s poem goes on to say how it isn’t your parents fault that you get messed up, but it is a thing that goes back far through generations. It is just a part of raising children, and if you want to stop the cycle then you shouldn’t have children yourself.

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March 2012

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